I've spent a lot of time studying fairytales, folklore, and mythology and I have to say I LOVE, LOVE, LOVE the way Stephenie has taken these stories and turned them upside down and sideways.
Some random examples:
Snow White...except the Prince IS the poison, and his kiss brings not the promise of life but rather the probability of death. And BTW, he and not she is the fairest of them all.
Cinderella...except she has to be forced into attending the ball, not just once but over and over again. Think The Prom, The Birthday Party, The Grad Night, The Wedding....
Rapunzel...this one cracks me up...we have the princess locked in her tower (Bella alone in her room, or so Charlie always thinks), but Edward has access, Alice does, so does Jacob, even Riley....It's practically Grand Central Terminal in there.
Beauty and the Beast...except the monster never appears monstrous to her at all; she falls in love with him BECAUSE of his enchanted state, not in spite of it. And rather than her love making him human again, it will make her a monster.
Hansel & Gretel...except instead of being forced from her home by a nasty stepmother, Bella chooses to leave when a kindly stepfather appears, but she does get lost in the forest (in more ways than one).
Little Red Riding Hood...only here the wolf IS the studly woodsman and her protector.
The Little Mermaid...but seen in mirror image. Instead of the mythical creature longing to become human we have a human trying to become a mythical creature, though both are prompted by a great love. And in both cases the change will involve tremendous sacrifice and terrible suffering.
Orpheus & Eurydice...except instead of Orpheus the *great musician* descending into the Underworld to rescue his love, we have Bella literally going underground to save Edward from the Volturi.
Another nice twist is that Orpheus was warned that as soon as he brought Eurydice into the *sunlight* she would be *changed* back from a Shade to a *mortal*, but should he look at her prior to that, she would remain forever a Shade in the Underworld. Of course, since Shades *move silently* Orpheus can't tell she's behind him so he finally yields to *temptation* and turns around. And loses her. He can't return because Hades cannot be entered twice by the same path, *there was no going back once he made the choice* so his only chance of being with her is in death. He plays such a mournful tune on his lyre that the forest animals are *driven mad by grief* and *tear him apart* (which, incidentally, is the way werewolves kill vampires). There may be a parallel or two here. But instead of Orpheus dying to be with Eurydice, so to speak, we have Bella becoming undead to be with Edward.
I can do this all day but I'll leave you with one last example, for which I beg forgiveness in advance. It is simply that these books are a twist on the Resurrection story. We have a protagonist who hopes to make a sacrifice prompted by love and will die to the world, but after three days will arise in a glorified state. There is even a warped version of the blood sacrament, if you will.
I mean no sacrilege here! Quite the opposite, in fact. I'm merely pointing out that eventually, almost all stories with archetypal themes end up as Resurrection stories. (Harry Potter, anyone?) I think it's because we humans are hardwired for it. If you go back and examine every one of the fairytales mentioned above, you will see the common thread running through them. They each involve an innocent hero/heroine who is abused but not contaminated by human vice, who makes sacrifices and undergoes trials which lead to transformation and ultimately to salvation through love.
Does it get any better than that?
ANNOUNCEMENT 1/14/09: This thread is now at capacity and is Read-Only, but ongoing discussion can be found in the Midnight Sun-12 Chapters forum under the title Fractured Fairytales, Part II. We will be happy to meet up with you there, and we hope you also enjoy perusing the conversations here. A helpful index is found on page 100.